What is a device to correct an electric bass problem doing on a website devoted to eliminating wolf notes on cellos and double basses? Happily, the technology forming the operating principles behind the Wolf Terminator for cello and bass also works for correcting the dead spot resonance problems in the electric bass!
The Dreaded Dead Spot
Electric bass players have long endured a well known problem in their instruments called the dead spot. When played, the note decays quickly and doesn’t match the normal sustain of notes played on either side of the desired note. Typically found on the G string at the C, C#, or D note (5th,6th, and7th fret) and sometimes beyond, the severity varies, seemingly at random, from instrument to instrument, and sometimes appears to be completely absent. When comparing instruments (of the same make and model) the dead spot note as well as it’s severity can vary wildly. Problems with the dead spot make it difficult for the player to play slow passages evenly and to otherwise play with consistent volume, tone and intensity.
Dead Spot Terminator, Side View
Dead Spot Terminator, Top View
Video Or Audio Showing The Dead Spot Terminator In Action (coming soon)
Video Of Decay Pattern Of The Dead Spot , Using Spectrum Analyzer (coming soon)
Our solution to eliminating the electric bass dead spot is to attach a tuned resonant body to the back of the peghead. In this position, the dead spot resonance is transmitted to the Dead Spot Terminator, causing the tuned resonators to absorb the vibration of the neck. By diminishing the vibration of the neck, the Dead Spot Terminator (DST) will then allow the string to vibrate and decay at a normal rate.
In contrast to the large body of research on the origins of wolf notes on the cello and double bass, as well as other resonances on string instruments, the research on dead spots on electric basses is minimal.The research by Helmut Fleischer (see reference page) stands out because his papers focus specifically on electric bass dead spots. Other researchers, such as Thomas Rossing and Fletcher??? cover dead spots in a more general way.
More importantly, there is little mention, in the literature, of any attempt to eliminate the electric bass dead spot, so the question of how to design a dead spot eliminator was an open question, Until now, the attempts at controlling the dead spot on electric basses have largely been to change the weight of the peghead. Due to the sensitivity of the neck resonances to changes in weight and stiffness, most of the time these attempts only move the frequency of the dead spot to another note or only reduce the severity. Once in a while, success is found, only to be defeated when trying the same technique on a different instrument.
It is interesting that the problem with dead spots seem to occur more often on basses with 34″ scale length necks, and that the problem varies with each instrument. Graphite necks, which are stiffer, and headless necks seem to have fewer problems. But for the vast majority of instruments built along more conventional lines, it is difficult to predict with any certainty whether or not a neck will have a dead spot.
Mentioned earlier is the fact that the dead spot resonance is just one of many resonances in the neck. The dead spot resonance is not the lowest resonance, but is, typically the second from the lowest (Fleischer, reference page). In some instruments the neck might have two or three resonances in the general area and may exhibit dead spots over a wider range than a single note.
Interestingly, the direction of movement of the neck vibration affects the preferred orientation of the Dead Spot Terminator. The neck could vibrate in plane with the fingerboard, perpendicular the fingerboard plane, or could twist (torsion) depending upon the characteristics of each resonance. Within any single resonance, the neck could be vibrating in multiple planes as well as with torsion. Clearly there is a lot more to be learned about neck resonances and how it affects tone and sustain, but the Dead Spot Terminator represents the state of the art in eliminating electric bass dead spots.
Installation, without modification of the peghead has been a priority in the development of the DST, and for the initial model, the DST has been designed to fit all Fender style basses with 34″ scale and with traditional tuners attached to the peghead with four screws. The DST has been tested on Music Man basses, and on basses with smaller machines clamped to the peghead with a screw on collar around the string post. For these basses, an adaptor is in the works.
The Dead Spot Terminator embodies these exclusive features:
- Easy installation using only a small phillips screwdriver.
- No modification to the instrument and unit hidden on the back of the peghead
- Installation is predictable with high confidence of success
- Tunable frequency covering the normal dead spot notes (C to D# and beyond)
- Guaranteed to reduce or eliminate your dead spot to your satisfaction.
The Dead Spot Terminator is in the final testing stages and will be coming soon. For additional information, please email!